The Political TV Advertising
Lifecycle
TV
Technology
By Gordon Robinson, 10.01.2008
TORONTO
"You like Ike, I like Ike; everybody likes Ike
for president," sang a cheerful chorus in an
animated TV ad for 'Ike' Eisenhower in 1952. It was
complete with a cartoon elephant and parade-leading
Uncle Sam. Since then, political ads have become much
sophisticated, more negative and—above all—more
responsive to the ebb and flow of a typical campaign.
And even in today's Internet age, where 2008 campaign
advertising is expected to top out at $3 billion,
the Democratic and Republican parties will still be
spending most of their media dollars on broadcast
and cable TV, according
to Ondine Fortune, president and media director of
Political-Cable.com, a Los Angeles-based media buying
and placement firm.
So how does a modern political commercial
get produced and distributed, and where does it go
after its schedule ends? Using the 2008 presidential
campaign as our model, TV Technology has come up with
some answers.
THE VIRTUAL 'WAR ROOM'
It's a long established news convention that presidential
campaigns are fought and won by "war rooms."
However, when it comes to the current campaign, "these
'war rooms' tend to be virtual, not real," said
Jordan Lieberman, publisher of Politics Magazine.
"You don't have people huddled in one physical
space anymore. Instead, they stay in their usual bases
of operations across the country, and connect by tele-
and videoconferencing as needed."
In a presidential campaign, breaking
issues can alter the nature of the battle in a single
news cycle. Since the candidates are too busy stumping
to head into a studio at a moment's notice, the "war
room's" media team has to make do with an archive
of candidate speeches, voter testimonials, stock footage
and news clips. Whenever possible, new non-candidate
material is shot to respond to specific events.
Throw in new voiceovers and post-production
editing and you have the arsenal employed by both
parties' virtual "war rooms." Working with
their media consultants and ad agencies, they put
together new and topical ads at a moment's notice.
All they need is the approval of the campaign manager,
and the new presidential political ad is good to go.
DISTRIBUTION CHANNELS
"Back in 1981, it used to take a week or longer
to get a new TV ad produced and shipped to stations,"
said Larry J. Sabato, director of the Center for Politics
at the University of Virginia. "Today, the war
rooms can get a new ad produced and shipped to TV
stations overnight. If they put it up on YouTube,
that takes about an hour."
Once the new political ad is ready,
political parties have a number of distribution techniques
at their disposal.
"They can send it out via satellite,
the Web, or let a third party distributor like DG
FastChannel handle it." Lieberman said. "If
all else fails, the parties can always have someone
deliver the ad by hand on videotape."
AIRTIME, THE REGULAR WAY
Getting new presidential political ads to the station
is not enough; they have to be aired to have an impact
on the campaign. That's where media buyers like Ondine
Fortune come in. They already have the necessary personal,
electronic and financial relationships with stations
and cable TV networks in place. All the war rooms
have to do is let the buyers know what kind of regions
and demographics they want to reach, and the media
buyer does the rest.
"We buy airtime based on 'Gross
Ratings Points' [GRPs] or 'Target Rating Points' [TRPs],
which represent a percentage of the viewership during
a specific time in a given program," Fortune
said.
Based on Nielsen ratings, she explained
that "this media math" provides an estimate
of the number of times the ad is seen by an audience.
"For example, by airing 1,000
GRPs, your ad will be seen approximately 10 times,"
she said. "You can air these points over a few
days or a week depending on how hard you need to hit
your constituents."
What about speed?
Assuming that the war room rushes
their money to their media buyer so that they can
pay for the airtime equally quickly, Fortune says
a new ad can be scheduled and on the air within 48
hours.
"Sometimes we can do it in
24 hours," she said.
There is another way for campaigns
to get their ads played on TV fast; a method that
is both clever and free. This is done by creating
a truly controversial commercial, such as the Republican
campaign's comparison of Obama to Paris Hilton and
Britney Spears, then giving the produced ad to the
news media.
"If you make a controversial
enough ad, you can be sure that it will get played
for you for nothing by the news media," Lieberman
said.
When asked if the parties deliberately
produce controversial ads to take advantage of the
news media's hunger for content, he replied in the
affirmative.
"News organizations are always
looking to 'feed the beast,' and sometimes presidential
campaigns can use this fact to their advertising advantage,"
Lieberman said.
RETIREMENT LAND
In the pre-Internet days, presidential political ads
vanished after a run of a few weeks' run on television.
But today, they live on at YouTube and other consumer-posted
content sites. Here, they can continue to garner eyeballs
for years to come. It's also possible to find these
ads on historical Web sites that specialize in historical
campaign ads such as www.livingroomcandiate.org and
www.4president.tv, where the 1952 Ike ad cited earlier
in this story can be seen.
"The Web is sort of a retirement
home for political ads," said Lieberman.
As the 2008 presidential election
approaches its climax, virtual war rooms in both political
parties will have their hands full, furiously cutting
together new ads, and then getting them to air as
quickly as humanly possible. Although content is crucial,
success will be measured in how little time is consumed
from creation to on-air presentation; and, of course,
who wins the presidency at the end of this media war.
Read the full article at:
http://www.tvtechnology.com/article/67820
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